THE INTERIOR OF THE MOTOR CAR WAS A KALEIDOSCOPE OF ILLUMINATED PIECES OF THE BODIES OF WOMEN. THIS ANTHOLOGY OF WRISTS AND ELBOW, THIGH AND PUBIS FORMED EVER-CHANGING MARRIAGES WITH THE CONTOURS OF THE AUTOMOBILE. IN THE VINYL WINDOW GUTTER I SAW DEFORMED SECTIONS OF HER THIGHS AND HER ABDOMEN FORMING A BIZARRE ANATOMICAL JUNCTION. 

IT IS THE TECHNOLOGICAL EQUIVALENT OF AN APOCALYPSE. IT IS ABOUT CATASTROPHE, A SUDDEN AND VIOLENT SHOCK TO THE SYSTEM THAT INTERRUPTS AND ILLUMINATES ITS FUNCTION. METAL CRUMPLES, FLESH TEARS, FL;UIDS SQUIRT, SIGNS MULTIPLY: CRASH. WHERE A BOUNDARY ONCE RULED, AS BETWEEN HUMANITY AND MACHINE, A BLUR NOW OCCURS, CREATING UNPRECEDENTED RELATIONS AND NEW POSSIBILITIES. BOUNDARIES THAT WOULD ASSERT SUBSTANTIVE DIFFERENCES, AS BETWEEN METAL AND FLESH, FALL TO NEW ASSOCIATIONS THROUGH THE INTERVENTION OF THE LENS. A SURFACE THAT EMBRACES THE MATERIAL AND THE ORGANIC.

A COLLABORATION BETWEEN FASHION KNITWEAR, FASHION PRINT AND FASHION COMMUNICATION STUDENTS FOR THE VOLKSWAGEN SUSTAINABLE FASHION DESIGN AWARD.